Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.!

In the spring, Joan, at Mrs. Denton’s request, undertook a mission. It was to go to Paris. Mrs. Denton had meant to go herself, but was laid up with sciatica; and the matter, she considered, would not brook of any delay. “Don’t stop,” she whispered.

Joan felt a flush mount to her face. She had forgotten Hilda for the instant. He raised his eyes and fixed them on her with a pleading, dog-like look. Joan had never known him quite so serious. Generally there was a touch of irony in his talk, a suggestion of aloofness that had often irritated her.